Month: October 2011

Favorite Bookstores

I love books. I do. In spite of my first book being released as an e-book only (for now), and owning a Kindle, I love them. A big part of why I love books is the mere fact that I love bookstores. Especially small, independent, or used bookstores. I like the way they smell with all that bookbinders glue, and I like touching covers that have been lovingly fondled by page addicts. I like the people–those introverted, brilliant, well-read people–who hang out, own or covet bookstores. Here are a few of my favorites from my travels.

Too Many Books, Roanoke, VA ~ Linda, the owner, helps narrow down her 85,000+ used book collection. Her suggestions are magnificent.
Mermaid Books, Williamsburg, VA ~ Fabulous downstairs shop with shelves tacked with bookish cartoons (I featured one last week), and a great American History section.
Fountain Bookstore, Richmond, VA ~ Quaint, with a great Virginia author section, and it makes me want to write.
Tattered Cover, Denver CO ~ Their magazine department is the bomb (I know that’s an old word, but I don’t know the recent one. Phat? Bad? Rad? Hot?) Regardless, they make me want to own a bookstore.
The Strand, Manhattan, NY ~ 18 miles of books, best book bags, and a basement of reader copies to scoop up.
Abbey Bookshop, Paris ~ Who knew Canada had so many authors with books in Paris. Free coffee with maple syrup adds to their story.
Shakespeare and Company, Paris ~ The reading room and history there make your purchase memorable.

Next week I’ll also be visiting an amazing wall-to-wall book extravaganza known to everyone in Oregon: Powell’s Books in Portland here I come!

Which, and where, is your favorite bookshop?

The "reading room" in Shakespeare and Company in Paris. Books stacked upon books, around a piano in a room that smells of history.

Collaborative Caffeine

I work on my own. I spend a good portion of my day alone between my writing and design. Lately I’ve been partnering up with folks to get some outside interaction with my 224 Design branding and copywriting work. I’m doing it because I have this lovely wardrobe that often plays second fiddle to yoga pants. (Once, I even did a Skype video-conference wearing a professional top and my pink flannel PJ bottoms with little doggies on them. It was a low point, but one I use occasionally to gloat around friends who have eight-to-five jobs working for “the man.”)

Really though, I’ve begun collaborating because my work needs a jolt. After seven years of having my own design studio, and more recently adding “Author-Alone-in-Coffee-Shops” to my titles, the design work just seemed to be getting routine from the solidarity. I loathed the feeling of boredom, and my clients certainly don’t come to me for brands that are predictable.

Collaboration can be delightful. However, it really requires the ability to put “the way I always do it” on the back-burner and try something new with other creative people whom I trust. I know in the end “our projects” will be more effective for the client, and more rewarding for us both. I also know the folks at my local coffee shop will be happy not to see the yoga pants quite so often.

When was the last time you collaborated and how did it go?

The barista at my neighborhood coffee shop jokingly told me I'd have to pay $12 to fill up the mug I'd brought with me because it said "Starbucks" on it. I really only bought the mug because it had my birth year on it. Is Starbucks really 40?

A Book Is Born

My write-a-book adventure began when my father asked me, “Where are you going for your fortieth?” A trip to Paris, a forty-day blog kept for friends and family, 2145 photos, five months of editing, a new brand, a long to-do list of publishing tasks, and here we are. Bonjour 40 is born.

It really began with a solitary endeavor. Writing takes quiet moments picking the right words to ensure the reader is standing where you are. The right phrase can bring them with you down wormholes through time, to imaginary or fantastic places, or to unexplored feelings in well-known destinations like Paris.

Publishing, however, is a team effort. Two editors reviewed my book. Two programmers built my website and linked social media components. An editor cut my book trailer. I designed and wrote the pieces they used. A publicity team is implementing tools to speak about it. There is overwhelming support from families and loved ones, and everyone is hoping for avid readers so there may be more writing. It began with one, but it takes a village.

As I say in Bonjour 40, “I see they, too, are gambling on us. They truly believe we will produce a case of award-winning vintage from just one vine.” As the book is released this week, I can only raise a glass and say to everyone merci beaucoup! Here’s hoping everyone likes to drink. The e-book is now available on Amazon. Come join me in Paris.

While in Paris we took a few days to visit a fellow-writer and his family in Provence. We had long talks and dinner on their patio. Leisure time to sit and speak of writing and wine.

 

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The Ultimate Jobs Creator

Many cities around the country hold First Friday events when artists showcase their work. For Compositions, I’ll be featuring an artist for the first blog of each month, and this month it simply has to be in honor of Steve Jobs. My life would not be what it is today without the inventions and vision of Steve Jobs. It was an Apple II my artistic fingers first found. My first business expense was a $2500 Apple G3 desktop. Six years later I humbly traded it with a friend for a new i-pod Nano. With my MacBook Pro I’ve traveled to Paris, Canada, across the US, built my business and my portfolio, and written a book or two.

Perhaps my greatest influence from Steve and Apple was in creativity. There are many rules when it comes to composition–for writers, for photographers, for designers and artists–and he was known for bending, snapping and blowing them all. By forging new boundaries with his work, he enabled me to try new things with mine. The commercials, the packaging, the colors, and technology all showed me I could build things that are both smart and beautiful. More importantly, when I strive to create something worthwhile, I have seen how it helps others discover their own worth.

He didn’t just talk about creating something different. He didn’t just talk about building jobs. He didn’t just talk about making the world better. He actually did it. Just as he said he would in this 1997 commercial. Thankfully.

Now it’s up to us. How will you pay it forward?

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