writing

Karen McCann on Armchair Adventures: Guest Post

Today on Compositions, we hear from Karen McCann, an American expat living in Seville and exploring Europe. Following a 6000-mile, 13-country train journey, she has just published Adventures of a Railway Nomad: How Our Journeys Guide Us Home. But as she reminds us, sometimes the best travel experiences involve a good armchair and a great read.

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The Civilized Joys of Armchair Adventures

A great travel memoir gives us the exhilarating pleasure of exploring far-flung places in the company of a congenial and insightful companion — without having to put up with long plane rides, inclement weather, lost luggage, and worrisome food. Having visited places where it’s advisable to shake out your shoes to dislodge scorpions and stay on perpetual lookout for leopards and electric eels, I deeply appreciate the civilized thrills of armchair adventures.

Books involve us in journeys we would never undertake ourselves. In Free Country we join George Mahood as he sets off on a 1000-mile journey penniless, without luggage, and nearly naked. He proves — via many uproarious detours — that you really can rely on the kindness of strangers.

As a young girl educated by a French order of nuns, I dreamed of living in Paris someday. Two delightful memoirs — Karen A. Chase’s Bonjour 40 and Sarah Turnbull’s Almost French — provide realistic yet enticing views of today’s City of Lights.

Perhaps the best kind of travel memoir is one that enables us to see familiar surroundings with fresh eyes. Alain de Botton, who claims he actually enjoys airports, spent seven days at Heathrow writing about his impressions on a screen visible to passersby. A Week at the Airport is so fresh and insightful that I’ve actually had to rethink my aversion to air terminals.

“The real voyage of discovery,” wrote Marcel Proust, “consists not in seeking new landscapes but in having new eyes.” And that’s something every good travel memoir offers us.

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You can follow Karen McCann on her blog or on the Enjoy Living Abroad Facebook page, too. Her book, Adventures of a Railway Nomad: How Our Journeys Guide Us Home is out now.

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A Soldier’s Wife Sentiments Translated

Sometimes when I’m exploring 1776 essays or letters for research for my book, I get lost in a quagmire of how things used to be written. So I have to translate them into today’s causal language. This helps me understand the issues of the past so I can make sense of the them for my reader.

Case in point, an essay written by Esther de Berdt Reed called Sentiments. Esther wrote this essay in order to push women who were staying at home during the American Revolution to contribute to the Cause. Her husband was fighting with George Washington. In the end, her essay helped form the Ladies Association of Philadelphia, and they raised over $300,000 to produce linen and shirts for the Continental Army.

For all those wives whose husbands are away fighting in foreign lands, here’s a hero for you.

Below Esther’s picture is her published essay, with my translation in italics (even though by adding it it blows my 250 words for the blog):

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SENTIMENTS (An Op-Ed)

ON the commencement of actual war, the Women of America manifested a firm resolution to contribute as much as could depend on them, to the deliverance of their country. (When this whole thing started, the women of this continent said they’d support forming a new country, too.)

Animated by the purest patriotism, they are sensible of sorrow at this day, in not offering more than barren wishes for the success of so glorious a Revolution. and this sentiment is universal from the north to the south of the Thirteen United States. (Women say they’re patriots, by sadly they’re only offering empty prayers hoping we’ll win the war–and this is true regardless of which colony we live in.)

Our ambition is kindled by the same of those heroines of antiquity, who have rendered their sex illustrious, and have proved to the universe, that, if the weakness of our Constitution, if opinion and manners did not forbid us to march to glory by the same paths as the Men, we should at least equal, and sometimes surpass them in our love for the public good. (Women have within us a history of great women who proved that just because we’re physically smaller, or perceived to be weaker, and not allowed to go to war, doesn’t mean we can’t be better than the men at being patriotic.)

I glory in all that which my sex has done great and commendable. (I think chicks have proven to achieve some amazing acts.)

I call to mind with enthusiasm and with admiration, all those acts of courage, of constancy and patriotism, which history has transmitted to us: (Let me give you some awesome examples of kick-assery that history hands down to us.)

The people favoured by Heaven, preserved from destruction by the virtues, the zeal and the resolution of Deborah, of Judith, of Esther! (The biblical stories of Deborah, Judith and Esther were kept and retold because those ladies had grit and determination.)

The fortitude of the mother of the Massachabees, in giving up her sons to die before her eyes: Rome saved from the fury of a victorious enemy by the efforts of Volumnia, and other Roman Ladies: So many famous sieges where the Women have been seen forgeting the weakness of their sex, building new walls, digging trenches with their feeble hands, furnishing arms to their defenders, they themselves darting the missile weapons on the enemy, resigning the ornaments of their apparel, and their fortune, to fill the public treasury, and to hasten the deliverance of their country; burying themselves under its ruins, throwing themselves into the flames rather than submit to the disgrace of humiliation before a proud enemy. (History has shown us that we are capable of this, all the way back to the early Romans. Those women forgot they were chicks, built walls, dug holes, provided weapons, picked up arms, quit dressing all fancy and spending money so the country could use it. They’d rather their bodies be under the rubble of Rome than be wusses in front of their enemies.)

Born for liberty, disdaining to bear the irons of a tyrannic Government, we associate ourselves to the grandeur of those Sovereigns,cherished and revered, who have held with so much splendour the scepter of the greatest States, The Batildas, the Elizabeths, the Maries, the Catharines, who have extended the empire of liberty, and contented to reign by sweetness and justice, have broken the chains of slavery, forged by tryants in the times of ignorance and barbarity. (Even examples of the past queens of England show us that we can build empires of freedom, while being nice and fair, and not giving into the idea we are subordinates–no longer bound by stupid or antiquated ideas thrust on us.)

The Spanish Women, do they not make, at this moment, the most patriotic sacrifices, to encrease the means of victory in the hands of their Sovereign. He is a friend to the French Nation. They are our allies. We call to mind, doubly interested, that it was a French Maid who kindled up amongst her fellow-citizens, the flame of patriotism buried under long misfortunes: It was the Maid of Orleans who drove from the kingdom of France the ancestors of those same British, whose odious yoke we have just shaken off; and whom it is necessary that we drive from this Continent. (If the French and Spanish women are/have been supporting freedom against tyranny and past ties to England, we can. We have to support our allies here because we’re fighting the British like they did, so let’s stick together. Heck if the virgin Joan of Arc can fight the British, we can. We’ve already declared separation from the British who are choking us, so now we have to kick them out.)

But I must limit myself to the recollection of this small number of achievements. (I could give hundreds of examples of women kicking ass in support of liberty, but that’s not really the point here.)

Who knows if persons disposed to censure, and sometimes too severely with regard to us, may not disapprove our appearing acquainted even with the actions of which our sex boasts? We are at least certain, that he cannot be a good citizen who will not applaud our efforts for the relief of the armies which defend our lives, our possessions, our liberty? (There’s always going to be someone–often a man–who will try keep women down. So let’s just agree those guys are really jerks who typically twist anything that’s good or helpful about our society, our goods or freedom.)

The situation of our soldiery has been represented to me; the evils inseparable from war, and the firm and generous spirit which has enabled them to support these. (I’ve heard it’s really bad at the front for our guys, and so as bad as that is, we have to be equally good in our support.)

But it has been said, that they may apprehend, that, in the course of a long war, the view of their distresses may be lost, and their services be forgottten. Forgotten! (But you know how it is. People’s ability to care has limits, and the longer the war drags on, the less people will continue to care or even think about the men at the front.)

never; I can answer in the name of all my sex. Brave Americans, your disinterestedness, your courage, and your constancy will always be dear to America, as long as she shall preserve her virtue. (No damn way. I say it for all of us chicks. Be brave. Not wishy-washy. Strong. Consistent in the way you care for America, for as long as she is worthy.)

We know that at a distance from the theatre of war, if we enjoy any tranquility, it is the fruit of your watchings, your labours, your dangers. (We’re not fighting. But if we’re enjoying ourselves at home, it’s because we–the women–are taking care of ourselves, but also because the men are out there working to fight for, and protect us.)

If I live happy in the midst of my family; if my husband cultivates his field, and reaps his harvest in peace; if, surrounded with my children, I myself nourish the youngest, and press it to my bosom, without being affraid of feeing myself separated from it, by a ferocious enemy; if the house in which we dwell; if our barns, our orchards are safe at the present time from the hands of those incendiaries, it is to you that we owe it. (If I’m happy it’s because I get to stay home–warm, peaceful, with family–and not fight. My guy has to go spend his days at war, in the hopes of having peace later. The reason I can stay home with my kids, and not be scared as shit of the enemy, is because my man is fighting them somewhere other than in my backyard. We owe them for that.)

And shall we hesitate to evidence to you our gratitude? (So to thank him, should we do nothing? Not act?)

Shall we hesitate to wear a cloathing more simple; hair dressed less elegant, while at the price of this small privation, we shall deserve your benedictions. (What if we kept wearing our old or more simple clothing, or quit going to the salon to get our hair done–saving even that little bit might make them grateful to us).

Who, amongst us, will not renounce with the highest pleasure, those vain ornaments, when-she shall consider that the valiant defenders of America will be able to draw some advantage from the money which she may have laid out in these; (If you think about it, wouldn’t saying no to selfishly having a bunch of shiny things show better that we get it. That we understand that men are dying in order to begin a country here? Is there an way those dollars could be better spent or saved in support of them?)

that they will be better defended from the rigours of the seasons, that after their painful toils, they will receive some extraordinary and unexpected relief; (Maybe for our guys, knowing that we’ve chosen to make do with less, and act more, will actually help them feel better while they’re away. Then they’ll know that when they come home, our shit has been handled so they can have a bit of a break.)

that these presents will perhaps be valued by them at a greater price, when they will have it in their power to say: This is the offering of the Ladies. (Our actions will be valued more than the material crap we accumulate. Then men will truly know what women are capable of doing on their own.)

The time is arrived to display the same sentiments which animated us at the beginning of the Revolution, (We have to walk the talk now. We have to act now like we we said we would in the Declaration of Independence that started this whole Revolution.)

when we renounced the use of teas, however agreeable to our taste, rather than receive them from our persecutors; when we made it appear to them that we placed former necessaries in the rank of superfluities, when our liberty was interested; (We must put down the tea cup, even though we like tea, ‘coz the British gave it to us back when we showed them our wants weren’t as important as our needs or freedom)

when our republican and laborious hands spun the flax, prepared the linen intended for the use of our soldiers; (We need to go back to making our own fabric and shirts for our own army using our own hands.)
when exiles and fugitives we supported with courage all the evils which are the concomitants of war. (We need to go back to being those rebels–even our ancestors were likely kicked out of Britain in the first place–who had the guts to fight against bad people, even though that means fighting a terrible war.)

Let us not lose a moment; (Do it now!)

let us be engaged to offer the homage of our gratitude at the altar of military valour, (Get in there! Show some respect. Be thankful. Be a warrior.)

and you, our brave deliverers, (And for you, our guys fighting for our freedom…)

while mercenary slaves combat to cause you to share with them, the irons with which they are loaded, (while a blindly devoted army is coming at you, making you fight against them so you don’t get shot by one of their bullets)

receive with a free hand our offering, the purest which can be presented to your virtue, (know that we’ve got your backs, and you can reach out to us, for we’re going to give you the respect and support you’ve earned.)

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Guest Blog: Susan Winkler

Today on Compositions, I welcome author and Paris-lover, Susan Winkler. Her new book, Portrait of a Woman in White, is set in WWII Paris. She joins us today to chat about how her love of Paris began with the movie Gigi.

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I fell in love with Paris when I was very young and saw the movie Gigi, at an outdoor drive-in with my parents and grandparents, in my hometown of Portland, Oregon. Portland, with our 3 black and white TV channels was all I knew, so Gigi’s Paris and the belle époque offered another window onto life that yearned to explore.

I was 18 when I first traveled to Paris, to spend a summer, and stayed for the next year and beyond studying literature, art, linguistics, and of course, life. Outside my small academic program, many of my friends were journalists and filmmakers who flocked to Paris from around the world. I wrote for an American newsletter and had a press pass to the Venice and Cannes film festivals. When I came back and began grad school in French literature at Stanford, I missed Paris terribly.

There is something about the abroad experience when you are young, and not traveling with mom and dad, that can feed the imagination forever. I was predisposed to love the city, it’s attention to visual detail, and its incomparable beauty. Plus, I love speaking the language and becoming someone else when I am there.

I was very fortunate, over 20 years ago, to be asked by a publisher to write a guidebook to Paris (The Paris Shopping Companion), allowing me to endlessly explore my favorite city. But no matter how many trips I make, I never get to the bottom of my must-do list. So much to see, eat, do!

In my new novel, PORTRAIT OF A WOMAN IN WHITE, I explore WWII France, lovers, and a Matisse painting looted by Nazis.

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Show, Don’t Tell: Downton Abbey Mistake

Highclere Castle, the home used for the set of Downton Abbey. –Wikimedia Commons photo by Bas Sijpkes.
Highclere Castle, the home used for the set of Downton Abbey. –Wikimedia Commons photo by Bas Sijpkes.

Last Sunday, Downton Abbey writers failed to achieve show, don’t tell. (Spoiler alert.)

In fiction, great writing uses this device. A simple example is instead of,  “She was angry,” we should write, “Her fists clenched.”

We feel the emotion as each character acts and reacts in ways true to their nature. This applies to writing and even to Downton Abbey.

This week, Edith–the meek sister–got terrible news. She’d been waiting for a year to hear something, anything, about her lost lover. And so had we. But when the news came to Downton, viewers were denied the scene. Instead, her father later told his wife and us what happened.

We did not see Edith wither when it was confirmed he died. Worse, we did not see her sit forward, her face brightening, when she is told she inherits his publishing business. Edith was given what many women were denied for years, and what the family assumed she never had. Power.

Consequently, the writers denied Edith’s power to persuade us, too. So when we next see Edith using her newfound strength, it feels unbelievable. False. Had we seen it, we would have been right there with her.

For further examples of show, don’t tell, check out this great description at Grammar Girl’s Down and Dirty Tips.

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Sponsored Writing

Image courtesy of WikiMedia Commons. Another contributor to my writing...
Image courtesy of WikiMedia Commons. Another contributor to my writing…

I recently read this article about Ann Bauer’s writing life being sponsored by her husband. It proves my point that while writing is a solitary job, being an author is not.

True, my Ted helps to pay the bills–just as I worked to support him as he started a new practice a few years ago. But the money for groceries or electricity doesn’t fuel me nearly as much as his arms do. He’s not alone either.

If it were not for Leslie and Susie and others feeding me paying copy jobs, I could not have paid the editor who fixed what I could not see. If it were not for those clients who changed schedules so I could attend writing conferences, I would not now be presenting at them. My parents, historians, and my friends gave time as first readers. The baker on the corner occasionally gives me free coffee… An author thankfully introduced me to her (and now my) agent…

To my count, roughly 250 people have contributed in some way over these last six years. Financially, physically, intellectually and/or emotionally.

The better lesson from Ann Bauer’s article is to be gracious. Have some humility. Appreciate your talent, but appreciate those around you who give you time to exercise it.

Then honor them by putting your head down to write. Write well. And finish the book. I’m off to do just that.…

 

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Reading Slowly in 2015

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Hello again. It’s been a while since I’ve been in here, as I’ve been revising my manuscript. While I’ll still be wearing my editing coat, I’ve missed all you. So, my readers, I’m weaving back in.

This week, let’s stitch together all three of my blog’s topics–reading, writing and research. Like many of you, I have a pile of books I want to read.

My first instinct is to cut to it and rip through them. You’ve done it, too, I bet. Our society is now used to tweets and blog posts. Short. Fast. Sometimes we bolt through a book and proudly declare to our friends, “It was so good I read it in one day.”

Yes, but what did you miss?

I recently began a book called Reading Like a Writer by Francine Prose. (Yes, that’s her real name.) She discusses the importance of reading carefully. Thoughtfully. Close.

Given how much care writers give to finding the right word, wouldn’t it be nice to take equal time to read them? (Note my use of give and take.) If done well, this selectiveness adds texture. Layers. Warmth. If you read back in this blog post for instance, you’ll find I chose many words relating to fabric. That’s intentional. Books are woven together like a fine cloth.

If you’re reading too quickly, you might be missing a subtly that will provide a more enjoyable, more meaningful read. As this article on slow reading in the Washington Post states, “it’s about pleasure more than efficiency.” I think I’ll try that on this year.

On my reading list this year (delightfully) are friends whose books deserve attention:

Mary Chris Escobar’s How to Be Alive
Jon Sealy’s The Whiskey Barron
Beth Macy’s Factory Man
Ann Westrick’s Brotherhood

What are you reading?

Sign up for my blog on the right, and watch for changes and more author news soon. Happy New Year.

Guest Post: Susann Cokal

Another author joins me today as part of a week-long shout-out about the James River Writers Conference this coming October 17-19th in Richmond. Susann Cokal is also a member of our JRW organization. Her newest book, The Kingdom of Little Wounds, is set in the Scandinavian Renaissance. She’ll be a speaker at our conference and happily answered a couple questions about her writing process.

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Do stories find you, or do you go in search of them?
I’m always in search of a story—or at least I let the gods of story know that I’m open. I think ideas find me because they know I’ll give them a loving home. Sometimes an agonized one, of course; writing is a series of ups and downs as I often doubt I’ll be able to match the ideal that first glimmered in my mind.

The idea for my latest novel, The Kingdom of Little Wounds, came to me about eighteen years ago. A sentence sprang up: “The children in the royal nursery were sick.” That was the tip of a big concept—the kingdom might easily dissolve into chaos if the king dies with no healthy heir. I’d already read for pleasure about Renaissance kings and queens and commoners; of course, I needed to do more specific research in order to write about Renaissance courts, seamstresses, slavery, food, fashion, astronomy, medicine, and so on.

I try to have a nice chat with each of my favorite ideas every day. I wrote two other novels before beginning The Kingdom. I didn’t know the third novel would take as many years as my first, but there’s no predicting the course of art. Especially when a lot of writing energy has to go to my job; I teach at VCU, so I’m commenting on fiction-in-progress every day. Time and confidence, the confidence that I can bring a project to the end—those precious entities come in spurts.

What has attending the JRW conference done for you?
At the JRW conference, the air crackles with energy. The conversations and panels breed a lot of ideas and hope. This year, like every year, I look forward to sharing encouragement and enthusiasm.

You can read a review of Susann’s book from the New York Times Book Review. Or visit her website for all things bookish.

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Guest Post: Jon Sealy

As part of a week-long shout-out about the James River Writers Conference this coming October 17-19th in Richmond, I’m featuring two local authors here on my blog in one week. The first is Jon Sealy. A member of our JRW organization, Jon has not only released a dark, southern, debut novel called The Whisky Baron, he’ll also be speaking at the conference. I posed a few questions, and Jon happily answered.

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How do you perform research for your writing?
I visit libraries to read books and magazines contemporary to my story. For the 1930s, the Sears & Roebuck catalog was helpful (a tip I stole from the writer Tom Franklin).

Do stories find you, or do you go in search of them?
Who knows where ideas come from? I have an old English major’s sensibility that books are made out of books, and that authors are as much in conversation with each other as they are with the reader. With that in mind, I’m always looking for a great book to read, which is a reminder of why it all matters and provides a constant measure of excellence.

Which other authors influenced your work?
In the spirit of “books are made from books,” I’d like to mention two under-read authors. The first is William Gay, who I think is the finest southern writer in recent decades. The second is Mark Powell, a fellow South Carolinian, whose new novel The Sheltering is a real tour de force.

What do you hope to share about your work at the conference?
I’m on a panel about southern literature, which should be interesting because I think southern literature has reached something of a dead end. Places are invented constructs that humans constantly reinvent, and I’m not sure the “South” really exists anymore. I could be wrong, so I’m curious to hear what my fellow panelists think.

Whiskey Baron cover FINAL

Visit Jon Sealy on his website, or follow him for fun bits on Twitter.

You can find out more about the conference on my Facebook page, or on the conference website.

 

 

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Guest Post: Mary Chris Escobar

Today, my fair readers, I am happy to introduce Mary Chris Escobar. A friend and author, Mary Chris and I frequently dish about books, writing and well… dishes. We discuss what we eat. Where we eat. We’ve even cooked together. She graciously drops by the blog today to offer her take on Books and Food:

Mary Chris Escobar

BOOKS & FOOD by Mary Chris Escobar

My books make people hungry. Not metaphorically hungry as in, “I can’t wait to devour the next novel”; physically hungry as in, “She has an amazing ability to make ME hungry when her characters are enjoying nachos.” Really, that is an actual quote from a review. At least one review for each of my books indicates that it made the reader want to eat something.

The strange thing is, I have no idea how this happens. In all my stories there are scenes where food is mentioned, but not described with the sort of detail I would assume is required to make someone hungry. For example, here is a line about making lasagna from my most recent novel, How to be Alive: “My whole apartment smelled like tomatoes and garlic.” The scene continues with the characters catching up over dinner, but no additional details are given about the lasagna.

My characters frequently meet in restaurants or over home-cooked meals. It’s a natural place for conversation and connection. Perhaps my readers get hungry because they feel drawn into the scene and want to share food with the characters. Perhaps they are hungry when they sit down to read, and just don’t realize it until I mention nachos.

No matter the reason, it is the highest compliment for a writer to know that their words have affected the reader in some way. Therefore, I feel honored to know that I can make my readers’ stomachs growl.

(Just in case you want lasagna after reading this, here is one of my favorite recipes.)

Mary Chris writes women’s fiction. Her second novel, How to be Alive, came out in late June. She lives in Richmond, Virginia in a renovated parking garage with her husband, and you can find her just about anywhere with good coffee or craft beer. Find her at marychrisescobar.com. She also hangs out on Twitter @marychris_e

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Dancing into Research

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I believe every great historical book set in the 18th century should have a dance scene. Dancing was socially expected, and it’s within those scenes a character’s character can be shown. I’m also a big believer in conducting first-hand research. So this week, accompanied by my very good-natured friend and writer Mary Chris Escobar, I attended an English Country Dance lesson.

Men lined up one side. Women across. Anyone who has seen this scene from Pride & Prejudice knows this line dance. I watched it and other period films to help write a scene in which my protagonist first dances with his love interest. However, now having spun down the line myself, I’ll make some adjustments.

First, dancers must maintain eye contact. How evocative if you fancy them. How torturous if you don’t. Dancing was also one of the few times men and woman would publicly hold hands. Some hands are strong. Supportive. Others are clammy. Wilting.

Words describing the moves are indicative of the social structure. When you let go of your partner and spin away to move down the line, it’s called “casting off.” If a man ends up on the woman’s side of the line (or vise versa), it’s called “improper.” When you cut through another couple, you are “crossing over.”

I used to think these dances looked easy, but I was literally flushed from all the spinning. And I was not in a corset and layers of silk, or partnered with Colin Firth. Oh, Miss Bennet, no wonder your cheeks hath such a rosy hue.

Authors, what have you done in the name of research?

If you’d like to find an English Country Dance group near you, a partial list of Country Dance Groups across the US can be found here. (Although my Richmond chapter is not on here.)

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