History

A Soldier’s Wife Sentiments Translated

Sometimes when I’m exploring 1776 essays or letters for research for my book, I get lost in a quagmire of how things used to be written. So I have to translate them into today’s causal language. This helps me understand the issues of the past so I can make sense of the them for my reader.

Case in point, an essay written by Esther de Berdt Reed called Sentiments. Esther wrote this essay in order to push women who were staying at home during the American Revolution to contribute to the Cause. Her husband was fighting with George Washington. In the end, her essay helped form the Ladies Association of Philadelphia, and they raised over $300,000 to produce linen and shirts for the Continental Army.

For all those wives whose husbands are away fighting in foreign lands, here’s a hero for you.

Below Esther’s picture is her published essay, with my translation in italics (even though by adding it it blows my 250 words for the blog):

Esther_de_Berdt_Reed_by_Charles_Peale

SENTIMENTS (An Op-Ed)

ON the commencement of actual war, the Women of America manifested a firm resolution to contribute as much as could depend on them, to the deliverance of their country. (When this whole thing started, the women of this continent said they’d support forming a new country, too.)

Animated by the purest patriotism, they are sensible of sorrow at this day, in not offering more than barren wishes for the success of so glorious a Revolution. and this sentiment is universal from the north to the south of the Thirteen United States. (Women say they’re patriots, by sadly they’re only offering empty prayers hoping we’ll win the war–and this is true regardless of which colony we live in.)

Our ambition is kindled by the same of those heroines of antiquity, who have rendered their sex illustrious, and have proved to the universe, that, if the weakness of our Constitution, if opinion and manners did not forbid us to march to glory by the same paths as the Men, we should at least equal, and sometimes surpass them in our love for the public good. (Women have within us a history of great women who proved that just because we’re physically smaller, or perceived to be weaker, and not allowed to go to war, doesn’t mean we can’t be better than the men at being patriotic.)

I glory in all that which my sex has done great and commendable. (I think chicks have proven to achieve some amazing acts.)

I call to mind with enthusiasm and with admiration, all those acts of courage, of constancy and patriotism, which history has transmitted to us: (Let me give you some awesome examples of kick-assery that history hands down to us.)

The people favoured by Heaven, preserved from destruction by the virtues, the zeal and the resolution of Deborah, of Judith, of Esther! (The biblical stories of Deborah, Judith and Esther were kept and retold because those ladies had grit and determination.)

The fortitude of the mother of the Massachabees, in giving up her sons to die before her eyes: Rome saved from the fury of a victorious enemy by the efforts of Volumnia, and other Roman Ladies: So many famous sieges where the Women have been seen forgeting the weakness of their sex, building new walls, digging trenches with their feeble hands, furnishing arms to their defenders, they themselves darting the missile weapons on the enemy, resigning the ornaments of their apparel, and their fortune, to fill the public treasury, and to hasten the deliverance of their country; burying themselves under its ruins, throwing themselves into the flames rather than submit to the disgrace of humiliation before a proud enemy. (History has shown us that we are capable of this, all the way back to the early Romans. Those women forgot they were chicks, built walls, dug holes, provided weapons, picked up arms, quit dressing all fancy and spending money so the country could use it. They’d rather their bodies be under the rubble of Rome than be wusses in front of their enemies.)

Born for liberty, disdaining to bear the irons of a tyrannic Government, we associate ourselves to the grandeur of those Sovereigns,cherished and revered, who have held with so much splendour the scepter of the greatest States, The Batildas, the Elizabeths, the Maries, the Catharines, who have extended the empire of liberty, and contented to reign by sweetness and justice, have broken the chains of slavery, forged by tryants in the times of ignorance and barbarity. (Even examples of the past queens of England show us that we can build empires of freedom, while being nice and fair, and not giving into the idea we are subordinates–no longer bound by stupid or antiquated ideas thrust on us.)

The Spanish Women, do they not make, at this moment, the most patriotic sacrifices, to encrease the means of victory in the hands of their Sovereign. He is a friend to the French Nation. They are our allies. We call to mind, doubly interested, that it was a French Maid who kindled up amongst her fellow-citizens, the flame of patriotism buried under long misfortunes: It was the Maid of Orleans who drove from the kingdom of France the ancestors of those same British, whose odious yoke we have just shaken off; and whom it is necessary that we drive from this Continent. (If the French and Spanish women are/have been supporting freedom against tyranny and past ties to England, we can. We have to support our allies here because we’re fighting the British like they did, so let’s stick together. Heck if the virgin Joan of Arc can fight the British, we can. We’ve already declared separation from the British who are choking us, so now we have to kick them out.)

But I must limit myself to the recollection of this small number of achievements. (I could give hundreds of examples of women kicking ass in support of liberty, but that’s not really the point here.)

Who knows if persons disposed to censure, and sometimes too severely with regard to us, may not disapprove our appearing acquainted even with the actions of which our sex boasts? We are at least certain, that he cannot be a good citizen who will not applaud our efforts for the relief of the armies which defend our lives, our possessions, our liberty? (There’s always going to be someone–often a man–who will try keep women down. So let’s just agree those guys are really jerks who typically twist anything that’s good or helpful about our society, our goods or freedom.)

The situation of our soldiery has been represented to me; the evils inseparable from war, and the firm and generous spirit which has enabled them to support these. (I’ve heard it’s really bad at the front for our guys, and so as bad as that is, we have to be equally good in our support.)

But it has been said, that they may apprehend, that, in the course of a long war, the view of their distresses may be lost, and their services be forgottten. Forgotten! (But you know how it is. People’s ability to care has limits, and the longer the war drags on, the less people will continue to care or even think about the men at the front.)

never; I can answer in the name of all my sex. Brave Americans, your disinterestedness, your courage, and your constancy will always be dear to America, as long as she shall preserve her virtue. (No damn way. I say it for all of us chicks. Be brave. Not wishy-washy. Strong. Consistent in the way you care for America, for as long as she is worthy.)

We know that at a distance from the theatre of war, if we enjoy any tranquility, it is the fruit of your watchings, your labours, your dangers. (We’re not fighting. But if we’re enjoying ourselves at home, it’s because we–the women–are taking care of ourselves, but also because the men are out there working to fight for, and protect us.)

If I live happy in the midst of my family; if my husband cultivates his field, and reaps his harvest in peace; if, surrounded with my children, I myself nourish the youngest, and press it to my bosom, without being affraid of feeing myself separated from it, by a ferocious enemy; if the house in which we dwell; if our barns, our orchards are safe at the present time from the hands of those incendiaries, it is to you that we owe it. (If I’m happy it’s because I get to stay home–warm, peaceful, with family–and not fight. My guy has to go spend his days at war, in the hopes of having peace later. The reason I can stay home with my kids, and not be scared as shit of the enemy, is because my man is fighting them somewhere other than in my backyard. We owe them for that.)

And shall we hesitate to evidence to you our gratitude? (So to thank him, should we do nothing? Not act?)

Shall we hesitate to wear a cloathing more simple; hair dressed less elegant, while at the price of this small privation, we shall deserve your benedictions. (What if we kept wearing our old or more simple clothing, or quit going to the salon to get our hair done–saving even that little bit might make them grateful to us).

Who, amongst us, will not renounce with the highest pleasure, those vain ornaments, when-she shall consider that the valiant defenders of America will be able to draw some advantage from the money which she may have laid out in these; (If you think about it, wouldn’t saying no to selfishly having a bunch of shiny things show better that we get it. That we understand that men are dying in order to begin a country here? Is there an way those dollars could be better spent or saved in support of them?)

that they will be better defended from the rigours of the seasons, that after their painful toils, they will receive some extraordinary and unexpected relief; (Maybe for our guys, knowing that we’ve chosen to make do with less, and act more, will actually help them feel better while they’re away. Then they’ll know that when they come home, our shit has been handled so they can have a bit of a break.)

that these presents will perhaps be valued by them at a greater price, when they will have it in their power to say: This is the offering of the Ladies. (Our actions will be valued more than the material crap we accumulate. Then men will truly know what women are capable of doing on their own.)

The time is arrived to display the same sentiments which animated us at the beginning of the Revolution, (We have to walk the talk now. We have to act now like we we said we would in the Declaration of Independence that started this whole Revolution.)

when we renounced the use of teas, however agreeable to our taste, rather than receive them from our persecutors; when we made it appear to them that we placed former necessaries in the rank of superfluities, when our liberty was interested; (We must put down the tea cup, even though we like tea, ‘coz the British gave it to us back when we showed them our wants weren’t as important as our needs or freedom)

when our republican and laborious hands spun the flax, prepared the linen intended for the use of our soldiers; (We need to go back to making our own fabric and shirts for our own army using our own hands.)
when exiles and fugitives we supported with courage all the evils which are the concomitants of war. (We need to go back to being those rebels–even our ancestors were likely kicked out of Britain in the first place–who had the guts to fight against bad people, even though that means fighting a terrible war.)

Let us not lose a moment; (Do it now!)

let us be engaged to offer the homage of our gratitude at the altar of military valour, (Get in there! Show some respect. Be thankful. Be a warrior.)

and you, our brave deliverers, (And for you, our guys fighting for our freedom…)

while mercenary slaves combat to cause you to share with them, the irons with which they are loaded, (while a blindly devoted army is coming at you, making you fight against them so you don’t get shot by one of their bullets)

receive with a free hand our offering, the purest which can be presented to your virtue, (know that we’ve got your backs, and you can reach out to us, for we’re going to give you the respect and support you’ve earned.)

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Editing Historical Fiction

LastSupper_KarenAChase

I read that Dan Brown takes about two years to research a novel, and another two to write. Editing adds to the process, because it involves those first two steps. Using The DaVinci Code, and the assumption that Brown wrote it from beginning to end, I’ll explain how (with some conjecture).

Year one: Brown sees DaVinci’s painting and thinks, “that guy next to Jesus looks like a chick.” A quick Google search… she could be Mary Magdalene? “Betchya the church would have killed to keep that a secret.” Bing! Book idea. So now he researches Bible lore galore, secret codes, and the history of France and Rome. Maybe he writes chapter one.

Year two: More research! He has to go to Paris (poor guy) and the Vatican. In Italy he writes three more chapters.

Year three: Writes continually. Decides the female character must be the descendent of Jesus and Mary. Serious plot changes.

End of year four: Book done. (Party!)

Year five: Editing. Back to chapter one. Wow, it kind of sucks. It’s four years old. He has read a few books on writing historical fiction since then. He’s also seen the Louvre, and the pyramids are not where he put them. He has to apply fours years of knowledge to every old word.

So, that’s where I am now. I’m editing my American Revolution manuscript (again), but now as an author who is four years older. Better read. Wiser about the history. But, I thank Mary Magdalene that I am.

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Washington Travels

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After a lovely Ciao 60 holiday, returning to life here means returning to the past and my writing of historical novels. So in an attempt to reconcile travel with history, I want to chat about Where is George. As in George Washingtons. Plural. The money.

Every now and then a one dollar bill comes into my hands that has been stamped with a mark, and an accompanying website URL. That mark tells me I can track where the dollar bill traveled. All I do is log on to WhereIsGeorge.com, type in the serial number of the bill, and read on about where the bill has been. Users add their location to a list for that particular bill, and the miles add up. Not always do users hop on to the website, so it’s likely a bill could travel in between without it being documented.

Recently, a weathered bill came to me. I was certain it traveled far. I was mistaken. For the images of the bill herein, this is where it went: It had traveled for 220 days. 575 miles. It had 2 entries. Mine here in Richmond, and the bill originated in Island Pond, VT.

So why do I do this? Because I think it’s fun. I’ve only played along two or three times before. The guy who logged in at Island Pond? He has stamped and entered 129,225 bills so far. And I thought I had a history problem…

Have you ever found a $1 bill for WhereIsGeorge.com?

2013-10-16 20.07.20

 

Nearing The End

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This post is part apology, part celebration. After five years of research, books, libraries and writing, writing, writing, I have at last finished my manuscript about the Declaration of Independence! Five years! In addition to moving, reparing an historic house, running a business and publishing Bonjour 40, I filled in my spare time doing this. I have been weepy all week and thrilled beyond measure. So, yaaaaay!

This post is in part an apology, because in the last month in order to finish the last hundred or so pages, I have ignored many of you. I’ve been delinquent with communication, forgotten to do a few things, and been late to more than one event. For all of you who wondered what happened, I was just spending time 237 years ago, and they didn’t have internet then.

I have been writing the book chronologically, and from page one to the end. So in this last month, these fictitious people have finally been performing my scenes I outlined for them years ago. It’s been joyous. Emotional. Thrilling. As a friend said, “It’s epic. What you’re writing is epic.” I hope so. My characters have at last become who I knew they could be.

Yes, there will be more edits (I’ve already done numerous edits). Yes, there will be plenty of work ahead to find an agent, a publisher, and readers. However, for those who are already asking what’s next… Please just let me swim in THE END until my fingers get all pruny. For just a little while.

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Shawnee Words

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While researching the Shawnee for my American Revolutionary novel, I came across these words by Chief Tecumseh. Although he figured more prominently in the war of 1812, his words are still a great code to follow:

• So live your life that the fear of death can never enter your heart.
• Trouble no one about their religion; respect others in their view, and demand that they respect yours.
• Love your life, perfect your life, beautify all things in your life.
• Seek to make your life long and its purpose in the service of your people.
• Prepare a noble death song for the day when you go over the great divide.
• Always give a word or a sign of salute when meeting or passing a friend, even a stranger, when in a lonely place.
• Show respect to all people and grovel to none.
• When you arise in the morning give thanks for the food and for the joy of living.
• If you see no reason for giving thanks, the fault lies only in yourself.
• Abuse no one and no thing, for abuse turns the wise ones to fools and robs the spirit of its vision.
• When it comes your time to die, be not like those whose hearts are filled with the fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way.
• Sing your death song and die like a hero going home.

Pauline Maier

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One of the books I have referenced while writing my novel about the Declaration is American Scripture: Making the Declaration of Independence by Pauline Maier. Fairly early into my research I found her book, and when I still had a question or two I e-mailed her. Within a day, she responded.

This wonderful, insightful historian died this week, at age 75, and rather than take up space here with my words, I instead urge you to read the New York Times article by Douglas Martin, Pauline Maier, Historian Who Described Jefferson as ‘Overrated,’ Dies at 75.

Her enthusiasm will be missed. In her book, she writes of being able to see the Declaration in Washington for the first time. “Curiosity more than anything sent me rushing through the hot summer air across the mall to the National Archives.”

Me, too, Pauline. Me, too.

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July 4th: Not Independence Day

The Dunlap Broadside first printed on July 4th. From the held at the Yale University Beinecke Rare Book and Manuscript Library.
The Dunlap Broadside first printed on July 4th. From the held at the Yale University Beinecke Rare Book and Manuscript Library.

As you fire up the BBQ and ready your fireworks, you should realize you are technically not celebrating “independence,” but celebrating the Declaration of Independence. Here’s why.

The day the founding fathers voted to approve the resolution for independence was actually July 2nd, 1776. On that day, Americans agreed to kiss the Crown goodbye. (They didn’t agree unanimously–note how that word is missing on the above image–until July 15th though, because it took New York a while to agree to the resolution.) After July 2nd, came the drafting of a formal declaration which Congress debated and edited for a couple of days. By the time they had approved the document, it was July 4th. That’s the date that appeared on the first printed copies of the Declaration, also known as “broadsides.” (A sheet of paper printed on one side.) There were about 200 or so of those printed by John Dunlap of Philadelphia.

All along we’ve celebrated independence on July 4th, because that’s the date the public first saw printed on the broadsides. There were no signatures on these copies, because they were typeset. The big Declaration of Independence, the parchment most of us recognize with the signatures at the bottom, didn’t come until later.

As for those original 200 broadsides, there were 24 known copies up until 1989. Then a painting was bought for $4 at a flea market for the frame. Behind the canvas was a 25th copy. It sold for $2.4 million. A 26th copy was “found” in the National Archives is Kew, England in 1990.

Flag Day: Does That Star-spangled Banner Yet Wave?

A photo of the flag outside UVA, Jefferson's University taken in March. Once again, at half-staff, to honor policemen killed in the line of duty. – Photo by Andrew Eddy.
A photo of the flag outside UVA, Jefferson’s University, taken in May. At half-staff, to honor American policemen killed in the line of duty. – Photo by Andrew Eddy.

When Francis Scott Key wrote the Star Spangled Banner, it was because he was inspired. Through bombs bursting over Fort McHenry in Baltimore, he watched from a distant ship and waited for a sign that the British had not defeated the Americans. For twenty-five hours he waited, until finally “through the dawn’s early light” he saw a sign of hope. The flag–then consisting of 8 red and 7 white stripes, and 15 stars–still waving. Tall. Strong. Free. He took a letter from his pocket and wrote the poem on the back that would become the American National Anthem.

Whenever I see the American flag, I have often thought of his words. The poem sums up what our flag should represent; a celebration of not just survival, but our ability to thrive. The flag is a promise. At full-staff, and even half-staff. When I have seen a flag at half-staff, I’ve often wondered “whose life are we celebrating today?” Which long-term giver, social-reformer, or public official has died who helped make America better?

But not lately.

Now when I see a flag at half-staff, I worry. “What happened?” “What tragedy will I see on the news now?”  I have seen our flag too often at half-staff, and it saddens me. Has our flag become a signal not of hope, but of our failures? Does it represent lives cut short? Terror? Immense grief for more Americans unable to fulfill the promise and the freedom our veterans helped to secure?

We can do better. We must do better.

So on this flag day, I’ll hope you’ll share the full poem by Francis Scott Key with your family. Tell them the story. I hope we as a nation can focus on the fact it should fly “o’er the land of the free and the home of the brave?” We can not simply sing the words. Our actions must raise our flag until it is gallantly streaming.

 

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Knight Writers

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This week I was very happily visited by Andrew Eddy, a fellow writer from Provence featured in my book, Bonjour 40. While he was here we went to Charlottesville, visiting Thomas Jefferson’s Monticello, and quite naturally, we hit an overwhelming number of bookstores. In a rare and antiquarian bookshop, I found a lovely copy of Ann Patchett’s book What Now?.  Andrew and I went to the desk to pay, and both of us stood silent and mortified. There behind the counter was an owner of the store, with a knife in hand, slicing stone-engraved, hand-colored images of Medieval knights like the one above out of three antique books.

“It doesn’t bother you cutting up old books?” I gently asked. The man just shrugged as he tried to rationalize his craft.  “It’s not as if it’s rare, dozens of colleges and bookstores have these… They’re too expensive for people to buy now because no one collects books… If I can sell the images for $95 a piece, I make more than having a book on my shelf I can’t sell… It’s what I need to do.”

I felt sad for the historians and future generations who will never see those books. I felt bad for the illustrations of the knights separated from one another, and from the words that explained them. I have an image of a book collector–ten, fifty or even one hundred years from now–cursing that stupid bookseller for tearing apart such a special book, as they struggle to recollect the images.

And what if it is rare? It reminds me of the story of the last man on Easter Island who cut down the last tree. It’s what I need to do, he probably said. And then their civilization died, and they had no way to make books to explain themselves!

So there were Andrew and I on one side of the counter, knowing we are pouring time and energy into building books we hope will be cherished for generations, while on the other side the books of our predecessors were slaughtered for parts. Bottom line, it wasn’t about the books, it was about bottom line. I think both Andrew and I would rather be on this side of the counter struggling to be brave knights creating, not destroying the words.

And as for that comment on the three books being rare, I’ll let you be the judge. The set he was slicing up was from 1824. A collection on ancient armor. The sets range in price from $3000-$7500 on ABE Books.

 

 

Editing: A Horse By Any Other Name

I love working with a freelance editor for three reasons. First, a good editor not only points out where things need to improve but where I’ve done things well. I can learn to be a better writer from my own writing. Second, she sees the forest where I’ve seen trees. Reviewing it with her uncluttered eyes, she helps me focus on the central vein of my story that I should follow, and from which I have sometimes strayed. Third, she helps to highlight where my details are not furthering the story, but tripping up the reader, and taking them from that central path.

When nearly 300 pages of my manuscript returned from this latest round of editing, there were many good comments and naturally some areas that need some refinement. One of the issues was about the name of my protagonist’s horse. The name was Llamrei. “A name like this is tough to read,” she had noted. My editor was stumbling over it and it was dragging down the narrative. When she and I spoke on the phone, I admitted that many times I even typed it wrong. The name of the horse, agreeably had to change.

So I looked for historic horse names that were more easily pronounced. I found and chose “Bayard,” which means reddish-brown. Simple enough, but I also looked up the history of the name. The story of this horse goes all the way back to a twelfth century French legend, part of which according to Wikipedia includes:

“Bayard is ceded to Charlemagne who, as punishment for the horse’s exploits, has a large stone tied to Bayard’s neck and the horse pushed into the river; Bayard however smashes the stone with his hooves and escapes to live forever more in the woods.”

Here’s the strange thing… Many times in my writing to this point, the character and his horse are required to cross waterways, and each time I wrote about how the horse became frantic to the point that it needed to be blindfolded. No reason. Just wanted him to be that way. But now, it’s as if the horse’s new name explains why he is always afraid to cross rivers in my story… But I created this horse’s characteristic before I found the name. Before I read about the legend… Odd, right?

Did I know about Bayard somehow? Was he a part of me? Did I know the legend? Past life? This has happened more than once that details woven into my story somehow connect with history before I have fully learned the history.

It makes me wonder, is my historical fiction story not fiction at all? Could it be true…? {Twilight Zone music here.}

Other legends of the horse include that he could expand to the size required for the number of riders, and that he could speak English. Okay, so not ALL of the legends seemed to fit with the writing. (A public domain image.)
Other legends of the horse include that he could expand to the size required for the number of riders, and that he could speak English. Okay, so not ALL of the tales seem to fit with my writing. (A public domain image.)

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